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Evening Music Archive

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November 2004

What’s in a name?

Tuesday, November 30, 2004

Don't judge a book by its cover—or that music by its title, either! Some of the most emotive works of music have been saddled with the least affecting names. We’ll try and decipher a few of them for you tonight.


Raves for Ravel!

Monday, November 29, 2004


Raves for Ravel! “M. Ravel refuses the Legion of Honour, but all his music accepts it,” said Erik Satie, obviously a fan. We are too, and so we bring you two (Ravels, that is).


How About Conducting?

Sunday, November 28, 2004

We’ve all heard of high-risk professions, but how about conducting? Well, it certainly proved fatal for one of tonight's birthday celebrants. Also, hear how Mozart's papa (Leopold, that is) liked to get an extra "bang" out of his symphonies...


Great Music, Hard Times

Saturday, November 27, 2004

It's a story as old as the hills: the "starving artist" who creates great art while languishing in poverty. Tonight we’ll hear some great music that was inspired by hard times.


In the Shape of a Pear

Friday, November 26, 2004

Satie's "Trois morceaux en forme de poire" should be three pieces (in the shape of a pear), right? Wrong. Tyically en forme himself, Satie gives us seven short pieces. But who's counting?


Gobble, Gobble!

Thursday, November 25, 2004

Gobble, gobble! It’s turkey day, and there is plenty of American or Thanksgiving-related music on this evening’s plate, so join us in celebration...


Alfred Schnittke

Wednesday, November 24, 2004

Alfred Schnittke (1934–1998) would have been seventy today. We salute this Russian composer in our last hour, so stay tuned and get ready for some birthday cake.


Camerata Bariloche

Tuesday, November 23, 2004

The Camerata Bariloche, based in Buenos Aires, a leading Latin-American chamber ensemble and the first Argentine orchestra to achieve international renown, will be heard from throughout this evening.


Joaquin Rodrigo

Monday, November 22, 2004

Joaquin Rodrigo (1901–1999) would have been ninety-seven today. Blind since the age of three, he enriched Spanish music and the ears of all who love to listen to it!


The Maturity of Man: a Child at Play

Sunday, November 21, 2004

“The maturity of man? That means, to have reacquired the seriousness one had as a child at play.” When Nietzche wrote those words, was he thinking of Mozart’s String Quintet in C?


Travel to the Auvergne

Saturday, November 20, 2004

We travel to south-central France this evening, to the Auvergne, land of mountains and high plateaus, where those lovely old songs set by Cantaloube were spawned.


Pélléas et Mélisande

Friday, November 19, 2004

Maurice Maeterlinck’s story of Pélléas and Mélisande has inspired a number of composers, and we will hear two takes on the symbolist drama this evening.


An Evening for Strings

Thursday, November 18, 2004

It’s an evening for strings (and other things). The violin is featured in three of our major offerings in the evenings first hours. Don’t fiddle with that dial! Stay tuned.


Withered Flowers

Wednesday, November 17, 2004

Wilhelm Müller's "Trockne Blumen" (Withered Flowers) gave Schubert the words for a song from his cycle “Die schöne Müllerin"; the melody then gave rise to flute variations...


A Nod to Nordic Lands

Tuesday, November 16, 2004

As the weather turns colder and we don woolly gloves and mufflers, it seems appropriate that some of our music give a nod to Nordic lands.


Cuba Libre

Monday, November 15, 2004

Fill a nice tall glass with ice; squeeze a lime to add some spice; some Coca-cola, just a tad! Top off with rum; now that ain’t bad! Cuba Libre!!!


4-Birthday-Cake Evening

Sunday, November 14, 2004

It’s a four-birthday-cakes evening, so get out a large plate and prepare to feast—on music by Leopold Mozart, Fanny Mendelssohn, Aaron Copland, and Johann Nepomuk Hummel!


Featuring Van Cliburn

Saturday, November 13, 2004

Featured this evening: legendary pianist, Van Cliburn, winner of the first Tchaikovsky Competition in Moscow (1958) and honored in the U.S. by an international competition bearing his name.


Bernstein Conducts Copland

Friday, November 12, 2004

Aaron Copland said that Leonard Berstein’s “conducting of the Third Symphony is closest to what I had in mind when composing the piece.” We hear the New York Philharmonic under Lennie this evening.


Mahler's Life in Symphony

Thursday, November 11, 2004

Gustav Mahler said of his first two symphonies: “My whole life is contained in them; I have set down in them all my experience.” We hear the first this evening.


Mysterious Numbers

Wednesday, November 10, 2004

William Duckworth engaged in an experiment in which he collaborated with an ensemble to create a new work while an audience watched. The result? “Mysterious Numbers.”


Green

Tuesday, November 09, 2004

Who said it’s not easy being green? We’re going to have a very green evening, traveling from green mountains, to green gardens, and even soaring heavenward...


With Simplicity

Monday, November 08, 2004

Aaron Copland: “Music that is born complex is not inherently betteror worse than music that is born simple.” Interestingly, a first-movement episode of his Violin Sonata is marked “with simplicity.”


Schubert's Wonderful Rosamunde

Sunday, November 07, 2004

Resurrected in 1867 from a publisher’s storeroom cupboard, the score for Schubert’s 1823 incidental music to “Rosamunde” was “black with the undisturbed dust of nearly half a century.”


Instruments of the Orchestra

Saturday, November 06, 2004

Airs weekdays at 7PM on 93.9 FM
In 1946, the Crown Film Unit asked a famous British composer to write some music for their documentary, “Instruments of the Orchestra.” Who was it, and what did he write?


Piano for Left Hand

Friday, November 05, 2004

It’s an evening for the left-handed. A number of piano works have been written for the left hand alone; we enjoy two this evening, an original and an arrangement.


Apple Waltzes

Thursday, November 04, 2004

Golden Delicious, Cortland, McIntosh, Harvest Hymn, Baldwin, Macoun, Pippin. Apples, you say? Nope, not today! Rather, seven movements in an orchestral suite by Morton Gould.


Sobriety and Dolor

Wednesday, November 03, 2004

“You will find sobriety and dolor in French music just as in German or Russian. But the French...realize that somberness and good humor are not mutually exclusive.” Francis Poulenc


What Would Confucius Deduce?

Monday, November 01, 2004

Confucius said: “Wouldst thou know if a people be well governed, if its laws be good or bad, examine its music.”