Andrew Lapin

The new movie Conclave is a fun and twisty political thriller. Ralph Fiennes plays a cardinal tasked to managing the secretive process in which the pope is replaced. The film offers plenty of scandals, surprises, and dark horses, along with some strong commentary on the state of the Catholic church. Directed by Edward Berger (All Quiet on the Western Front), the film also stars Stanley Tucci, John Lithgow, and Isabella Rossellini.

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Writer-director Bertrand Bonello uses the tale of a Haitian zombie to explore intergenerational racial trauma in this quiet, moody film.

This adaptation of attorney Bryan Stevenson's book about a wrongly condemned black man dramatizes that case while offering an unflinching look at the death penalty.

The Safdie brothers' exhilarating film is a "gritty indie funhouse ride that sets [Adam] Sandler loose in a world just as manic and angry as his character."

Two women — a noblewoman and the artist hired to paint her portrait — fall in love in Céline Sciamma's haunting, erotic and evocative period drama.

Chadwick Boseman stars as a cop on the hunt for violent criminals in this "fitfully enjoyable if somewhat workmanlike action flick."

In Bill Condon's film set among London's septuagenarian set, Ian McKellan attempts to con Helen Mirren out of her fortune, but we're always one step ahead of the story.

Paul Feig directs Emilia Clarek, Henry Golding and Emma Thompson (who co-wrote the script) in a Yule-themed "fun, if shaggy, character study."

The cast and director of the 2018 Broadway play reunite, but the performances prove more nuanced than the characters, revealing a script that takes "shortcuts to catharsis."

A director known for lurid psychodrama tackles a French priest-abuse scandal with sensitivity, restraint — and a robust sense of urgency.

Adam DeVine plays a lonely nerd whose phone takes over his life in this lazy, generic satire.

Daniel Scheinert — half of the team behind 2016's Swiss Army Man — directs this sweet but "lumpy and formless" dark comedy.

Jennifer Lopez leads a troupe of strippers who bilk rich Wall Street clients out of huge amounts of money in a "boisterous, entertaining and self-aware" film based on a true story.

Director Gavin Hood's film about a leaked NSA memo becomes an ambitious indictment of the invasion of Iraq itself, though it's saddled with drab visuals of characters frowning at computer screens.

A young Russian-American (Chris Galust) drives a beat-up medical transport van full of demanding, quirky passengers through Milwaukee's backstreets in this funny, authentic film.

Alvin Schwartz's beloved children's books become an atmospheric, if repetitive, kid-friendly horror film.

Jennifer Kent follows up The Babadook with a controversial thriller that "grants its protagonist respect and dignity beyond mere victimhood, and frames her pain in both personal and political terms."

In Rick Alverson's most coherent film to date, Jeff Goldblum plays a lobotomist at a time when the procedure is falling out of fashion.

Richard Billingham documented his parents' neglect and abuse in previous documentary projects. His first narrative film captures their brutality even as it affords them some measure of dignity.

Timothy Greenfield-Sanders' discursive documentary features Morrison addressing the camera and dispensing earned wisdom and zingers by the bushel.