Andrew Lapin

In Jim Jarmusch's jagged documentary, Iggy Pop reflects on the necessary recklessness that made The Stooges punk legends.

Zach Galifianakis loses his edge in a Mr. and Mrs. Smith knockoff that strands a gifted cast in a bland cul-de-sac spy adventure.

Iranian-born director Babak Anvari's tale of motherhood and madness one-ups 2014's thematically similar The Babadook by bringing a larger sociopolitical context to the creepy goings-on.

Kate Winslet plays a woman with designs to punish the townsfolk who once wronged her in this tonally confused Australian comedy.

A cleverly constructed but narratively sluggish mockumentary exposes a NASA conspiracy to stage Man's first steps on the moon.

Stripped-down storytelling, stunning cinematography and finely calibrated performances make this tale of a withdrawn lighthouse keeper and his wife vivid and compelling.

Based on the real story of Barack and Michelle Obama's first date, Southside With You follows two young idealists through a day together without relying too heavily on winks at their future.

The charismatic Markees Christmas plays Morris, a 13-year-old aspiring rapper from New York who moves to Germany with his widowed father (Craig Robinson).

Ain't no party like a Sausage Party 'cause a Sausage Party don't stop ... being blithely offensive. But this animated film for adult audiences is made with true passion and technical skill.

Set in a Jewish neighborhood of Buenos Aires, Daniel Burman's latest film sweetly spotlights the strained relationship between a returning son and his ostentatiously selfless father.

Anna Gunn plays a Manhattan investment banker determined to succeed, but powerful men — and slack film-making — let her down.

Mike Birbiglia wrote and directed this affecting story of the members of an improv troupe whose commitment to working together is mixed with rivalries and jealousy.

The all-female remake of the 1984 blockbuster is dutiful, workmanlike, a bit clumsy — and sort of fun.

Norman Lear: Just Another Version Of You doesn't address itself to all the current manifestations of the national attitudes at stake in All In The Family, but there's much to be learned from it.

The third film in the Purge franchise once again binges on ugly, incoherent set-pieces that glorify our basest instincts.

Ricky's an undisciplined foster kid; Hec's a cantankerous outdoorsman who becomes a reluctant father figure. The pair brave New Zealand's bush country while relentlessly pursued by a social worker.

The sequel to Pixar's beloved 2003 fish tale retains that movie's charms, but taking its main character out of the ocean makes for a thinner and less textured story.

Anna Rose Holmer's story of girls seized by seemingly unknown forces, and a new member of their group who must find her place among them.

Other than brand extension, there seems to be no reason at all for Alice Through The Looking Glass to exist. And it shows in the final product.

The follow-up to the successful film about a couple menaced by a nearby frat house does an interesting gender reversal as girls rebel against a rule that prevents them from holding their own parties.