David Edelstein appears in the following:
'Into Darkness,' Boldly And With A Few Twists
Thursday, May 16, 2013
Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original Star Trek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a ...
Luhrmann's 'Gatsby': Bracingly Novel
Friday, May 10, 2013
While I was watching Baz Luhrmann's Moulin Rouge back in 2001, I had the oddest experience. Someone's cellphone rang, and instead of getting annoyed I was ... relieved. The movie's bombardment was so relentless — so suffocating — that I thrilled to a signal from the outside world.
And so ...
'Iron Man 3': Tony Stark As Home-Brew Hero
Friday, May 03, 2013
The third time might be the charm for some things, but the number three after a movie title is typically shorthand for a deal with the devil.
The studio thinks there's more money to be squeezed from a particular property, and voila: Spider-Man 3, Superman III, The Godfather — God ...
Two Indie Directors Go Confidently Mainstream
Wednesday, May 01, 2013
Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films ...
Terrence Malick And Every Man's Journey 'To The Wonder'
Friday, April 12, 2013
The voiceovers from Terrence Malick's To the Wonder, which has a lot of them, are intoned on the soundtrack while the characters stare into sunrises or sunsets — whenever the light is right, what cinematographers call, "the magic hour." This film and Malick's last, The Tree of Life, suggest that ...
Going 'Mental' And Enjoying The Ride
Tuesday, April 09, 2013
Mental is madder than madcap. I heard one critic sniff, "It's kind of broad" — and, Your Honor, the defense agrees! But if broad means "unsubtle," it doesn't have to mean "unreal." Mental makes most other movies seem boringly, misleadingly sane.
Why "misleadingly"? Because writer-director P.J. Hogan aims for a ...
With Vengeance And Violence, 'Olympus Has Fallen' Flat
Friday, March 22, 2013
What surprises me about the ongoing discussion of violence in cinema and whether it influences violence in the real world is how people fail to engage with the male fantasy behind these films. There's a template for them, a theme; it hinges on violation and vengeance. A seminal action picture ...
'Oz': Neither Great Nor Powerful
Friday, March 08, 2013
Oz the Great and Powerful. Say that name aloud and you will smile, I guarantee you: It will conjure up so many images, characters, actors, songs. Then hold that smile as long as you can, because you won't be doing much smiling at the movie called Oz the Great and ...
A Disappointing Thriller Channels Hitchcock And Bram 'Stoker'
Friday, March 01, 2013
Stoker has a ripely decadent, creepy-crawly feel that would have gotten under my skin if the tone weren't so arch and the people so ghoulishly remote. It's like a bad Strindberg play with added splatter. But director Park Chan-wook certainly works to make you uncomfortable. Take the early shot in ...
As Class Warfare Brews, A 'Dark Knight Rises'
Friday, July 20, 2012
Mitt Romney, American Dad
Friday, January 13, 2012
'Margin Call': A Movie Occupied With Wall Street
Friday, October 21, 2011
The timing is almost too good: a terrific Wall Street melodrama at the moment the Occupy Wall Street protests are building. We haven't seen the like since Three Mile Island had a near-meltdown a couple of days after The China Syndrome exploded into theaters. Now, Margin Call seems anything but ...
Almodovar Gets Under The 'Skin,' But How Deeply?
Friday, October 14, 2011
At festivals and in interviews, Pedro Almodovar is such a furry cuddle bear that it's possible to forget what a perverse filmmaker he can be — that is, until you watch something like his nasty new gender-bent Frankenstein picture, The Skin I Live In. It's a self-conscious, madly ambitious work, ...
Context and a Movie: "The Help"
Thursday, August 11, 2011
The Help, based on the popular book by the same name, opened in movie theaters yesterday. Sheri Parks, professor of American studies at the University of Maryland and author of Fierce Angels: The Strong Black Woman in American Life and Culture, and David Edelstein, film critic for New York magazine and NPR's Fresh Air, provide historical and cultural context for the book and new feature film.
Listeners: Did you see the movie yet? Did you read the book? What are your thoughts about "The Help"? Call us or comment here!