Fred Plotkin appears in the following:
Planet Opera: La Scala Captures Italian Zeitgeist in New Don Giovanni
Thursday, January 05, 2012
La Scala, the theater whose stage was the launching pad for a political movement that led to Italy’s becoming a nation, is still at the center of things, writes blogger Fred Plotkin.
Good Music, and the Other Kind
Monday, January 02, 2012
Only three of the 75 works voted on in the 2011 Classical Countdown could be called operatic. Blogger Fred Plotkin considers this dearth of vocal pieces and exhorts us to "listen without prejudice."
New Year's Menu: Pasticcio at the Opera and in the Kitchen
Thursday, December 29, 2011
In anticipation of the world premiere of The Enchanted Island, the new pasticcio (pastiche) at the Metropolitan Opera, a question emerges: just what is a pasticcio?
Christmas at the Opera
Friday, December 23, 2011
Certain operas seem like a natural fit for holiday time, writes Fred Plotkin, from Hansel and Gretel to Rimsky-Korsakov's unjustly forgotten Christmas Eve.
Planet Opera: At Milan's La Scala, Opulence Amid Austerity
Wednesday, December 21, 2011
La Scala, despite its famous history of temperamental divas and conductors and its frequent labor strife, also reminds us of the dignity, the glory and the sheer visceral thrill of opera, writes Fred Plotkin.
Zeffirelli's Bohèmians Turn 30
Thursday, December 15, 2011
The Joy of Text
Monday, December 12, 2011
The Wound That Does Not Heal
Friday, December 09, 2011
How does illness or disability affect creative and performing artists? As blogger Fred Plotkin writes, this question has confronted artists from Mahler and Britten to James Levine and Thomas Quasthoff.
What's Ailing Opera in America?
Monday, December 05, 2011
In the past few years, several opera companies have shut their doors, seemingly due to a lack of funding. Blogger Fred Plotkin considers whether it's due to the Great Recession, or part of a larger trend.
The Diva (Part Two): Shirley Verrett
Friday, December 02, 2011
It is not that we don’t have excellent singers now, writes Fred Plotkin. But Shirley Verrett’s generation was steeped in the kind of training to be an overall artist that is sorely missing today.
Mispronounciations
Monday, November 28, 2011
Why do some opera singers have such a hard time with what should be a key part of their job, namely, mastering foreign languages? Blogger Fred Plotkin has some theories.
Planet Opera: Catania, In the Footsteps of Vincenzo Bellini
Tuesday, November 22, 2011
Catania, Italy was the birthplace of Vincenzo Bellini, perhaps the greatest melodist of any opera composer. Blogger Fred Plotkin offers this guide.
The Pros and Cons of Returning to a Role
Monday, November 21, 2011
Some operagoers like hearing their favorite singers return in familiar roles. Others prefer the spice of variety. Blogger Fred Plotkin looks at why companies return to the tried-and-true.
How are You Making Out (at the Opera)?
Thursday, November 17, 2011
The Met was once a frisky couple's paradise, writes Operavore blogger Fred Plotkin. "In the seventies and eighties, there were nights in the audience that felt like the Bacchanale from Samson et Dalila."
Planet Opera: Following Beethoven's Footsteps in Vienna
Monday, November 14, 2011
Vienna is often considered Mozart and Schubert's town. But Beethoven left his own indelible mark on the city, writes Fred Plotkin.
Classical Music and the Great War
Friday, November 11, 2011
Angela Gheorghiu Takes on Two Prima Donnas
Monday, November 07, 2011
In our modern world of opera, there is little room for the prima donna. They are capricious, hard to work with, often hard to live with. But they are never dull, writes Fred Plotkin.
At Marilyn Horne Tribute, Warm Memories and Salty Humor
Thursday, November 03, 2011
More than 40 great singers, composers, directors and actors were present at a tribute to Marilyn Horne this week. Blogger Fred Plotkin reflects on her singular career.
Schubert’s Cantor Comes to Brooklyn
Tuesday, November 01, 2011
This weekend will see a preview of parts of an opera about Salomon Sulzer, a composer known to Schubert and Liszt who was Vienna’s chief cantor during the 19th Century.
Hooked on Sonics
Thursday, October 27, 2011
A great opera can be loud but not overbearing. That's not the case in many restaurants and other public spaces, where increasing noise has deadened our senses, writes blogger Fred Plotkin.