Fred Plotkin

On WQX-Aria, blogger Fred Plotkin claims a special feeling for the mezzo-soprano voices. "There is a warmth and sensuality to middle range voices (including the baritone) that ...

From Salzburg, Fred Plotkin reports on a revival of I Due Figaro, a forgotten operatic tale of Figaro, the character famously popularized by Mozart and Rossini. This one, however, com...

To be a great maestro, less is more, writes Fred Plotkin on WQX-Aria. "The best conductors sort out almost all of the stylistic and musical issues in rehearsal, leaving themselves and...

Experiencing the Met's radio broadcasts is no longer an ephemeral experience, writes blogger Fred Plotkin on WQX-Aria. The Met, along with Sony, has begun to take some jewels out of t...

At the moment, there are few top Italian female singers known to international audiences, writes Fred Plotkin on WQX-Aria. But two getting fresh attention and are well worth hearing: ...

As the news of death of the great bass Giorgio Tozzi (January 8, 1923-May 30, 2011) has begun to spread, a few people have asked, “Where in Italy was he from?” The answer was Chicago,...

There are the famous, evergreen festivals including Bayreuth, Edinburgh, Glyndebourne, Salzburg, and Verona. All are great and deserve to be attended at least once. But there is so mu...

"There are still great voices today, but they might reside in bodies that look more like those of the average person rather than an operatic Angelina Jolie or Brad Pitt," writes blo...

In my post about operatic Genoa, I made passing reference to the grattacielo (skyscraper) there that contained a 1000-seat cinema where opera was presented from after World War II until 1992. Among the many artists who sang there were Renata Tebaldi and Maria Callas. This building is usually called the first skyscraper in Italy, a nation that still has very few buildings that merit this designation. This one, and the Pirelli Tower in Milan, are my favorites.

All of this talk of rapture and apocalypse has reminded blogger Fred Plotkin of what is known in German opera as the Schlussszene: a great dramatic closing scene that only a word with...

Gustav Mahler, who died a century ago today, was a New Yorker for the last three years of his life, and during this time he led several productions at the Met. On WQX-Aria, Fred Plotk...

There has not been a new Mozart opera at the Met since 1984. But as WQX-Aria blogger Fred Plotkin explains, the composer's nearly forgotten gem, Mitridate, Re di Ponto, is finally get...

"While I don’t find booing acceptable in a theater under any circumstances, to do it following something so extremely challenging is what Italians call maleducato," writes blogger Fre...

Two of the Met's current conductors, Marco Armiliato and Fabio Luisi, hail from Genoa, Italy. On WQX-Aria, blogger Fred Plotkin considers the cultural riches of that city and its cont...

One does not have to be Christian, or even religious, to be affected by the universal sentiments of Dvorak's words about parental grief, writes blogger Fred Plotkin on WQX-Aria.

On WQX-Aria, blogger Fred Plotkin asks: "What happens when an evil character in opera dies, one for whom we have not developed positive feelings -- Hagen in Götterdämmerung or Scarpia...

As the Metropolitan Opera presents Wagner’s Das Rheingold and Verdi’s Il Trovatore this month, Fred Plotkin investigates one of the more striking ingredients shared between the two pr...

Anita Välkki (October 25, 1926-April 27, 2011) has just died and I realize that most people have no idea who she was. 

On WQX-Aria, blogger Fred Plotkin decries the use of microphones in opera. "I don’t care how good the 'sound design' is, the mediation of electronics between voice and audience inevi...

A few years ago, June LeBell, an announcer beloved to generations of WQXR listeners, organized a lecture series about composers called “The Busy B’s” in which I was invited to participate. Each speaker would be assigned one composer whose name begins with that letter. June was concerned that most of us would ask for Bach, Beethoven and Brahms, and was hopeful that someone might request Borodin, Bartók, Britten or Barber.