Kelly Moran

Kelly Moran is a composer, producer, and pianist from New York. As the sole engineer and producer of her five solo albums, her intricately arranged electro-acoustic compositions have been described as accomplishing “the rare feat of making the work of a single individual sound like the artistic output of a veritable creative army.” (Zoe Camp, Revolver)

Kelly Moran is a composer, producer, and pianist from New York. As the sole engineer and producer of her five solo albums, her intricately arranged electro-acoustic compositions have been described as accomplishing “the rare feat of making the work of a single individual sound like the artistic output of a veritable creative army.” (Zoe Camp, Revolver)

As a pianist, Moran specializes in works that employ extended techniques and prepared piano. Her album Bloodroot was released by Telegraph Harp Records in March 2017 and received critical praise from publications including The New York Times, Rolling Stone, Pitchfork, and The Log Journal.

As a collaborator, in recent years she has played bass in the no-wave group Cellular Chaos, synthesizer for avant-rock band Voice Coils and piano for the Charlie Looker Ensemble. Upcoming projects include commissions and collaborations with pianist Margaret Leng Tan, Yarn/Wire, and The Manhattan Choral Ensemble.

Moran completed her undergraduate degree at University of Michigan-Ann Arbor where she studied piano performance, sound engineering, and composition. In 2010, Moran received a fellowship for the MFA program in Integrated Composition, Improvisation, and Technology at University of California-Irvine. A deep interest in composition for dance has propelled numerous collaborations and served as the foundation for her master's thesis. Moran currently lives in Brooklyn and works as a freelance pianist.

Shows:

Kelly Moran appears in the following:

Down the Rabbit Hole: Adventures in Experimental Synthscapes

Monday, July 16, 2018

Adventure down the rabbit hole for an array of electronic works by Berlin-based composer Caterina Barbieri, English composer Sophia Loizou, Georgia-based Rachel Evans and others. 

Transcending Genre: The Softer Side of Metal

Monday, July 09, 2018

Hear "the softer side of metal" in music by Toby Driver (Kayo Dot), Kevin Hufnagel (Gorguts/Dysrhythmia), Krallice, and more. Plus, hear music by Nicole Lizée and Christina Vantzou.

Musical Sanctuaries

Monday, July 02, 2018

This episode of Wavelength includes music that evokes a sense of comfort. Pieces by Mario Diaz de Leon, 0PN, KÁRYYN, and Sarah Davachi.

Composer-Performer Molly Joyce and Women's History Month

Monday, June 25, 2018

In honor of Women's History Month, this episode of Wavelength focuses on music composed by women and features an interview with composer-performer Molly Joyce. Listen today at 10 am. 

Today at 4 pm on New Sounds Radio: Shoegaze and Other Atmospheric Works

Monday, May 07, 2018

Sample shoegaze to blackgaze, in guitar-based works by Slowdive, Noveller, and Alcest, along with electronic music by Squarepusher, Telefon Tel Aviv, and Australian quintet Tangents.

Today at 12 pm on New Sounds Radio: Mostly Keyboard-Centric Music

Monday, April 30, 2018

Hear mostly keyboard-centric music for this episode, with minimal synth-based work from Argentinian composer Federico Durand, music by Kara-Lis Coverdale, and Oneohtrix Point Never.

Today at 12 pm on New Sounds Radio: The Classical Music Canon and Rule-Breakers

Monday, April 09, 2018

Hear music that both follows the tradition of canonized Western classical music, and also breaks it: Margaret Leng Tan performs George Crumb, Vicky Chow plays Michael Gordon, and more.

Today at 12 pm on New Sounds Radio: Lingering Favorites from 2017

Monday, April 02, 2018

Host Kelly Moran shares some of her favorite music from 2017, including Avalon Emerson's song "One More Fluorescent Rush" and Kara-Lis Coverdale's masterful 22-minute record "Grafts."

New Show 'Wavelength' with Experimental Composer and Pianist Kelly Moran

Monday, March 12, 2018

Kelly Moran shares pieces that taught the composer and pianist what it means to redefine the timbral and technical scope of the instrument. Listen today at 12 pm on New Sounds Radio.