Sarah Montague

The terrorist attacks of 9/11 fore-grounded the concept of disaster preparedness, but it was Hurricane Katrina, four years later, that redefined the idea of animal rescue. Sept. 11,...

The New Yorker magazine’s founding editor Harold Ross once famously described his publication as being, “not for the little old lady in Dubuque.” Today’s New Yorker is for her an...

The Call of Things: Jane Bennett Talks About Hoarders at the Vera List Center

Eighteen years ago, with whole chunks of my address book gutted by AIDS, I attended the first Broadway production of Angels in America. I emerged from the Walter Kerr Theater, the closing scene still lingering in my mind, to face a bitterly cold February night and a sky brilliant with stars. For a moment, like Kushner’s lost housewife, I imagined every friend I had lost as a separate constellation, mapped for me, forever, in a private welkin.

Toto didn’t warn Dorothy that they were about to be swept off to Oz, but there is a general belief—to some extent supported by science—that animals can sense natural disasters ahead of time.

In honor of its 50th birthday, the Royal Shakespeare Company (RSC) brought together company founder Sir Peter Hall and current Artistic Director Michael Boyd in conversation at the ...

Lucy Bailey’s unflinching production of “Julius Caesar” for the Royal Shakespeare Company (RSC) opens with a savage prequel: against a back projected image of the Capitoline Wolf (a ...

The most telling thing about “The Winter’s Tale,” currently in repertory with the Royal Shakespeare Company at the Park Avenue Armory, is what it does not show. We eagerly anticipat...

"As You Like It" is considered a romantic comedy, and it certainly has the right “boy meets girl” ingredients. In fact, by the end of the play four boys meet girls. But though the relationship of the central couple, Rosalind and Orlando, is a core element in the work, and is heard in a minor key in the wooings of the three other couples, Michael Boyd’s production for the Royal Shakespeare Company reminds us that all kinds of love are on offer here. There is parental love, filial love, the love of servant for master, and vice versa; there is instant love, devoted love, rejected love — and all of them are put to the test in the Forest of Arden.

As the Middle East continues to feel the tremors of revolution from all across the landscape, Dr. Reza Aslan’s book “Tablet and Pen: Literary Landscapes from the Modern Middle East” o...

Peter Brook was a legendary director with the Royal Shakespeare Company (R.S.C.) in the 1960s and 1970s; Michael Boyd is the current Artistic Director. The two were recently brought t...

The RSC has transported seven productions and a frame-by-frame replica of its theatre to the Park Avenue Armory in New York City. The occasion is the company’s 50th anniversary, ...

When Jerry Seinfeld called out, “Release the hounds,” he probably wasn’t imagining the extravaganza that is the Bryn Mawr Hound Show, held each year on the handsome grounds of the Rad...

The Greene Space's Shakepearean 'team'--Ricardo Fernandez, David Maclean, Sarah Montague, and Arthur Yorinks--are in London recording audio and video in anticipation of the Royal Shakespeare Company's forthcoming residency at the Armory, as part of the Lincoln Center Festival. Here are some notes from the field.

Is the pen mightier than the sword, or any number of other challenges? That’s what “A Working Day,” at the PEN World Voices Festival set out to explore on April 28.

Listen to the audio of a PEN World Voices Festival panel at the Standard Hotel. Writers and editors talked about the ways in which corporate publishing limited access to audiences, th...

Talk to Me: Oh, Really? Happy Ending at Joe's Pub

Bloggers? Tweeters? My Space? Facebook? Fahgedabodit. Hundreds of years before everyone got on a digital soapbox, diarists used this intimate form to confide their loves, longings, an...

About blogging—I don’t.  To me this word suggests an action taken by something hairy with a club.

Think of me as a diarist, or an old-fashioned essayist, musing on that space that is somewhere between public and private, without any particular agenda.  The Charles Lamb of the audio set.  

One of the most powerful aspects of “War Horse,” which opened at Lincoln Center on April 14, is, of course, the astonishing puppets. At The New School’s Tishman Auditorium, the puppe...