Mahmoud Khalil, a legal permanent resident and Columbia alum, was detained by ICE for his role in leading pro-Palestinian protests at his former university last year. As Khalil's case has captured the nation's attention, free speech advocates see it as a test of the First Amendment. Meanwhile, the Trump administration argues they have the right to deport Khalil without charging him with a crime. On this episode, why Khalil's arrest should worry all of us.

How the criminal legal system considers who is and isn't Native, and what that means for the Black people who are members of tribal nations. This reporting is part of an audio documentary from Audible called Tribal Justice: The Struggle for Black Rights on Native Land.

Parker has been trying to find her place in the banjo world. So this week, she talks to Black banjo players like Grammy nominee Rhiannon Giddens about creating community and reclaiming an instrument that's historically already theirs.

Comedian Youngmi Mayer talks about how her Korean family uses humor as a tool for survival. She gets into the Korean comedic tradition and why the saddest stuff is what makes them laugh the hardest.

As we take in the news of another Donald Trump administration, we thought who better to turn the mic over to than the hosts of NPR's Politics Podcast.

The manosphere is a sprawling online ecosystem aimed at disgruntled men. Now a subset of the manosphere aimed at Black men is exposing cracks in Black voters' steadfast support of Democrats. On this episode, we take a look at how the Black manosphere came to be and wonder: could this loose community of aggrieved dudes swing the election?

Reality TV has been referred to as a funhouse mirror of our culture. But even with its distortions, it can reflect back to us what we accept as a society – especially when it comes to things like gender, sexuality and race.
On today's episode we get into all of that, zeroing in on the Bachelorette, but also looking at a dating show that's trying to do it differently.

Author Mike Curato wrote Flamer as a way to help young queer kids, like he once was, better understand and accept themselves. It was met with immediate praise and accolades — until it wasn't. When the book got caught up in a wave of Texas-based book bans, suddenly the narrative changed. And like so many books that address queer identity, Flamer quickly became a flashpoint in a long, messy culture war that tried to distort the nature of the book.