Discussions of genre tend to cause bristling, bad moods and miscommunications. Genre identifiers are such ludicrously loaded terms that I tend to be shy even bringing them up (and I’m not, as they say, too terribly shy)! Yet here we are: a week devoted to composer/band leaders and those who tend to be not so category-specific.
A utopia "where austerity and spontaneity are not rivals, but companions" is how composer and Ecstatic Music Festival curator Judd Greenstein described the compositional space of festival headliners Nico Muhly and Valgeir Sigurðsson. This week on Hammered! we'll amplify that description with piano music written and performed by musicians featured in the Ecstatic Music Festival.
Discussions of genre tend to cause bristling, bad moods and miscommunications. Genre identifiers are such ludicrously loaded terms that I tend to be shy even bringing them up (and I’m not, as they say, too terribly shy)! Yet here we are: a week devoted to composer/band leaders and those who tend to be not so category-specific.
A utopia "where austerity and spontaneity are not rivals, but companions" is how composer and Ecstatic Music Festival curator Judd Greenstein described the compositional space of festival headliners Nico Muhly and Valgeir Sigurðsson. This week on Hammered! we'll amplify that description with piano music written and performed by musicians featured in the Ecstatic Music Festival.
