Bob Garfield

Until this week, Notre Dame linebacker Manti Te'o was famous not just for his on-field skills but for his compelling backstory, which included the tragic death of his girlfriend. This week, the sports blog Deadspin exposed that story as a massive hoax, although it is still unclear what, if any, participation Te'o had in the lie. Bob and Brooke delve into the myth and consider how it snuck by the national media. 

Following the school massacre in nearby Connecticut, a New York state paper published a map showing the names and addresses of handgun permit owners in its readership area — all except for one county, where local officials have refused to provide the paper with the information. This decision violates explicit New York State law, but has a supporter in New York state Senator Greg Ball, who tells Bob why he's supporting Putnam County officials.

Yo La Tengo - Stupid Things

In December, Al Jazeera Berlin correspondent Aktham Suliman left the news outlet, saying he felt its primary funder, the Qatari government, exerted too much influence over Al Jazeera's coverage. Suliman is just the latest in a string of resignations from Al Jazeera in protest of editorial interference. In an interview from August of last year, Bob talks to blogger and political commentator Sultan Al Qassemi about what he sees as the problems with Al Jazeera's coverage of ongoing fighting in Syria.

Yo La Tengo - I'll Be Around

We take a moment to correct two recent mistakes.

On Thursday, Vice President Biden sketched out early hints of what gun control reform might look like. One potential reform concerns something that you might mistakenly assume already exists: a central database of gun transactions in the US, maintained by the Bureau of Alcohol, Tobacco, and Firearms. The NRA has blocked all such efforts in the past. New York Times reporter Sheryl Gay Stolberg tells Bob why the ATF's record-keeping on gun sales is actually incredibly antiquated. 

We all claim to want privacy online, but that desire is rarely reflected in our online behavior. OTM producer Sarah Abdurrahman looks into the futile attempts we make to protect our digital identities.

Johannes Brahms - Violin Concerto op.77 in D Major

Police car mounted license plate readers collect date, time and location information and are used by law enforcement around the country to help catch criminals. But when Minneapolis Star Tribune reporter Eric Roper filed a Freedom of Information request for information on his own car, he got a lot more than he bargained for. In a segment that originally aired in August of 2012, Bob talks to Roper about how Minneapolis police and agencies across the country deal with this potentially sensitive location information.

The most serious kind of subpoena - called a 'National Security Letter' - used to have a lifetime gag-order automatically attached. That is until Nicholas Merrill appealed his and won the right to talk about it. Despite 50,000 national security letters a year, there are only three organizations that have ever won the right to say they got one. In a segment that originally aired in January of 2011, Nick Merrill tells Bob why he's the exception and the rule.

Last March, the National Counterterrorism Center (NCTC) was granted unprecedented power to collect data on ordinary U.S. citizens, data like flight records or lists of casino employees. Critics have likened the NCTC to the "Pre-Crime Squad" in the movie "Minority Report." Wall Street Journal reporter Julia Angwin talks with Bob about this dramatic shift in the intelligence community's power over US citizens.

Web TV services, DVRs, and on-demand TV encourage us to ignore the broadcast schedule and watch at our convenience. So what will become of the experience of watching the same show at the same time as your friends? Bob sits down with David Carr, media critic at the New York Times, and Matt Zoller Seitz, New York magazine's TV critic, to see if the water cooler will evolve or perish.

Reality TV — the very institution that has saved the medium by delivering high ratings at low cost — has also pretty much defiled the culture in all the obvious ways. What is perhaps less than obvious is how manufactured and unspontaneous it all is. To understand the reality behind the unreality of reality TV, we spoke to a former producer of such fare. The anonymous producer tells Bob about some of the elaborate staging and scripting he participated in while helping produce these shows.

Dwight Twilley Band - TV

Live sports broadcasts account for a big part of your cable bill. Why? Because cable providers know they can count on sports to draw large audiences even as audiences shrink for other types of programming. Peter Kafka of the website All Things Digital returns to talk with Bob about the remarkable rise of ESPN and the importance of live sports to the cable ecosystem. 

On a Sunday evening in the late 1980s, two or more unknown men hijacked the signal for two Chicago area TV stations. They broadcast a spooky, subversive, disturbing message — twice. Brooke talks to Bohus Blahut, a Chicago broadcaster, who saw the broadcast and was unable to forget it. 

Doctor Who Theme - Delia Derbyshire/Ron Grainer

Back in 2005, Bob explained his Chaos Scenario about the future of media — including TV.  Now, he reflects back on predictions he made and the status of television viewing today.

The Who - Baba O'Riley

A lot of criticism was leveled at the press for interviewing the child survivors of the Newtown school shooting in its immediate aftermath. Bob talks to WABC-TV reporter Bill Ritter about whether it's ever appropriate to interview a child in the moments after a disaster of this nature, and whether the very act of interviewing a child could contribute to the childrens' trauma.

Emiliana Torrini- Dead Duck

Once Adam Lanza had been correctly identified as the shooter, speculation quickly turned to why he killed so many. Much of the media raced, as it often does, to explain the tragedy by speculating on Lanza’s psychological state. Particularly bandied about was whether Lanza had been diagnosed with either a personality disorder or Asperger’s Syndrome. Bob talks with the Columbia Journalism Review's Curtis Brainard about the perils of this sort of coverage.

In 2010, Congress passed the Commercial Advertising Loudness Mitigation Act, also known as the CALM Act, which would keep television commercials from being louder than the programs they sponsor. The law finally went into effect last week. In an interview originally aired in 2010, the Wall Street Journal’s Elizabeth Williamson explains to Bob why regulators haven't been able to turn down the volume of commercials until now.

Last week, the Congressional Research Service released an updated version of a report that repudiates a mainstay of conservative economic doctrine: namely, that reducing top marginal tax rates spurs economic growth. Despite the CRS's bipartisan track record, and despite the report's potentially explosive implications for the ongoing "fiscal cliff" debate, the media have barely paid it any attention. Roll Call reporter Emma Dumain talks with Bob about the peculiar role of the CRS as a non-partisan football in a fiercely partisan game. 

The Accidental- The Killing Floor

The press has misreported a lot about the Newtown shooting, and if history is any guide, much of that misreporting will inform our memory of the event. In his book Columbine, Dave Cullen revisited that soul shattering school shooting 13 years ago. He tells Bob that our story of that event is largely frozen in early misreporting.

Grizzly Bear- What's Wrong

We’ve become accustomed in the past 20 years to seeing the issue of guns in America broken down into two camps: gun control advocates — led by police chiefs and Sarah Brady — and the all-powerful National Rifle Association. Bob talks to Adam Winkler, author of Gunfight: The Battle Over the Right to Bear Arms In America, who says there was a time, relatively recently, in fact, when the NRA Supported gun control legislation, and the staunchest defenders of so-called "gun rights" were on the radical left. 

Emiliana Torrini - Gun