Jon Caramanica

New York Times

Jon Caramanica (born 1975) is an American journalist and pop music critic who writes for The New York Times.

 

Source: https://en.wikipedia.org/wiki/Jon_Caramanica

Jon Caramanica appears in the following:

'This is how it ends,' 285 Kent wrote on Twitter, following a three-show blowout before the D.I.Y. space closed for good.

NYC D.I.Y. Scene Says Goodbye To Brooklyn's 285 Kent

Wednesday, January 22, 2014

Another year, another vanished venue. This weekend, Williamsburg's D.I.Y. music space 285 Kent closed its doors for the final time with a rousing sendoff party. New York Times pop mus...

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'This is how it ends,' 285 Kent wrote on Twitter, following a three-show blowout before the D.I.Y. space closed for good.

Saying Goodbye To 285 Kent; Why Music Lovers Should Care About Net Neutrality; Badi Assad Plays Live

Wednesday, January 22, 2014

In this episode: This past weekend the underground but influential D.I.Y. music space 285 Kent closed its doors following a three-show blowout. Only open for a little over two years, the Williamsburg venue earned a reputation for attracting a diverse cross-section of emerging artists in punk, hardcore, metal, hip hop electronic music and much more. The New York Times' music critic Jon Caramanica went to the final run of shows and discusses the impact of 285 Kent, how it represents another sign of the Brooklyn neighborhood in transition, and where the D.I.Y. music community will go next.

Then: With the recent news about net neutrality, Soundcheck fills you in on how a new federal court ruling could have a significant impact on musicians, music lovers, and the music industry. Soundcheck host John Schaefer talks to Casey Rae, Interim Executive Director of Future of Music Coalition in Washington, D.C. about why you should care that net neutrality might be going away.

And: Badi Assad, the renowned Brazilian guitarist and singer who can make a whole lot of different noises with her mouth at the same time, performs live in the Soundcheck studio.

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Frank Ocean's 'Channel Orange' is among this year's most acclaimed records.

The Grammy Awards: Contemporary Or Classicist?

Friday, February 08, 2013

Despite featuring performances by Justin Timberlake, Taylor Swift, and the multi-nominated Frank Ocean, the Grammys are still old-school, says New York Times critic John Caramanica. "...

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Eminem

Drake, Eminem, and the Somber Side of Rap

Thursday, June 24, 2010

When Eminem arrived on the national stage in the late 90s, there wasn’t much room in hip hop for raw emotion and self-examination. A decade later, the genre’s biggest rising star is Drake – who spends much of his hit debut Thank Me Later questioning his newfound fame (and singing rather than rapping).

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Songs of Envy

Friday, March 20, 2009

Our Friday series Seven Sins: The Deadly Medley continues with a look at how the deadly sins have shaped music from a variety of genres. Today: Envy. Our guests include two music critics: Jon Caramanica, who writes about pop, hip hop and country for the New York Times, and Carolina ...

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The Ghost of Nashville Past

Monday, December 01, 2008

Singer-songwriter Taylor Swift carries the hopes and dreams of country music on her 18-year-old shoulders. But as Nashville retools for a digital age and a new breed of crossover stars, country roots could be left behind. Deborah Evans Price of Billboard magazine and Jon Caramanica of the New York Times ...

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Guest Appearances Gone Wild

Thursday, October 09, 2008

Lil' Wayne appeared on more than 70 tracks and mixtapes last year. And Jay-Z will guest on an upcoming Coldplay song, repaying singer Chris Martin for appearing on the rap mogul's "Kingdom Come." With guest appearances quickly becoming the norm and not the exception, we ask New York times pop ...

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