Kevin Young is the Poetry Editor of The New Yorker and the Director of the Schomburg Center for Research in Black Culture, newly named a National Historic Landmark. He is the author of eleven books of poetry and prose, most recently Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News (Graywolf Press, 2017) and Blue Laws: Selected & Uncollected Poems 1995-2015 (Knopf, 2016), both of which were longlisted for the National Book Award; Book of Hours (Knopf, 2014), a finalist for the Kingsley Tufts Poetry Award and winner of the Lenore Marshall Prize for Poetry from the Academy of American Poets; Ardency: A Chronicle of the Amistad Rebels (Knopf, 2011), winner of an American Book Award; and Dear Darkness (Knopf, 2008). His collection Jelly Roll: a blues (Knopf, 2003) was a finalist for both the National Book Award and the Los Angeles Times Book Prize. Young’s previous nonfiction book The Grey Album: On the Blackness of Blackness (Graywolf Press, 2012) won the Graywolf Press Nonfiction Prize and the PEN Open Book Award; it was also a New York Times Notable Book for 2012 and a finalist for the 2013 National Book Critics Circle Award for criticism. He is the editor of eight other collections, most recently The Collected Poems of Lucille Clifton, 1965-2010 (BOA Editions, 2012) and The Hungry Ear: Poems of Food and Drink (Bloomsbury, 2012). Named University Distinguished Professor at Emory University, Young was inducted into the American Academy of Arts and Sciences in 2016.
Kevin Young, poet, New Yorker poetry editor and the editor of A Century of Poetry in The New Yorker (Knopf, 2025), on the literary and cultural impact of poetry at the magazine.
Kevin Young, poetry editor for The New Yorker and director of Smithsonian's National Museum of African American History and Culture, talks about the power of unexpected transformations.
The poet joins Kevin Young to read and discuss “Shelter,” by José Antonio Rodríguez, and her own poem “Tea Dance, Provincetown, 1982.”
The poet joins Kevin Young to read and discuss “Ode,” by Jane Huffman, and her own poem “Gertrude Stein.”
The poet joins Kevin Young to read and discuss “The Wind Blows Through the Doors of My Heart,” by Deborah Digges, and his own poem “A Spell to Banish Grief.”
The poet joins Kevin Young to read and discuss “Without,” by Joy Harjo, and their own poem “Dissloution.”
Christian Wiman joins Kevin Young to discuss “Far from Kingdoms” and “Outside, In Fact, There Wasn't Any Change,” by Patrizia Cavalli, and his own poem “Eating Grapes Downward.”
Amanda Gorman joins Kevin Young to discuss “Declaration,” by Tracy K. Smith, and her own poem “Ship’s Manifest.”
Aria Aber joins Kevin Young to discuss “Half Light,” by Frank Bidart, and her own poem “Dirt and Light.”
Forrest Gander joins Kevin Young to discuss “Privacy,” by Ada Limón, and his own poem “Post-Fire Forest.”
Kevin Young talks about his new book and his new job as director of the Smithsonian’s National Museum of African American History and Culture.
Kevin Young in conversation with Kimiko Hahn, Monica Youn, Paul Tran, and Megan Fernandes.
Toi Derricotte joins Kevin Young to discuss “We Feel Now a Largeness Coming On,” by Tracy K. Smith, and her own poem “I give in to an old desire.”
Margaret Atwood joins Kevin Young to discuss “A Stranger,” by Saeed Jones, and her own poem “Flatline.”
Arthur Sze joins Kevin Young to discuss “The Problem of Describing Trees,” by Robert Hass, and his own poem “Vectors.”
Kevin Young, director of the Schomburg Center for Research in Black Culture, joins us to discuss editing the new anthology African American Poetry: 250 Years of Struggle & Song.
Joy Harjo joins Kevin Young to discuss “Still-Life with Potatoes, Pearls, Raw Meat, Rhinestones, Lard, and Horse Hooves,” by Sandra Cisneros, and her own poem “Running.”
Kelly L. Carter, senior entertainment writer at The Undefeated, and Kevin Young, director of the Schomberg Center, on the legacy of 'Black Panther' star Chadwick Boseman.
In a special episode of the Poetry Podcast, Tracy K. Smith, Marilyn Nelson, and Terrance Hayes join Kevin Young to read their work, and to discuss its relationship to protest.
Major joins Kevin Young to discuss “Downpour,” by Billy Collins, and his own poem “Hair.”