Nimet Habachy: Keeper of the night shift
Nimet Habachy has been keeping New York’s insomniacs company for almost three decades. Born in Cairo, raised in New York City, and bred on a diet of classical music and American musical movies, Nimet has always sought out sonic experiences that bring her joy. At the young age of twelve, she made a deal with her mother: As long as Nimet completed her homework on time, she could travel to the Metropolitan Opera and attempt to snag a standing room ticket for that evening’s performance.
Fast forward to the future. After completing a seven-year tenure at the New York City Opera as the company manager’s assistant and French-and-Italian language coach, Nimet joined the chorus of an amateur production of Carmen that toured geriatric centers from 14th Street to the Heights. It was through this production that Nimet first came to WQXR. She had heard from one of the singers that the station was looking for new announcers — particularly women, minorities, and people who spoke an array of languages. Nimet fit the bill and, when the station went all-night in 1980, she was tapped to be the overnight host.
Nimet embraced her new routine, throwing dinner parties for friends and then, like Cinderella, gliding off on her bicycle just before midnight to get to the studio. Over the years working the “graveyard shift,” Nimet has acquired countless devoted listeners, some more surprising than others: One night, a knock at the studio door introduced two police officers charged with relaying a complaint from their station’s Sergeant — apparently Nimet wasn’t playing enough Wagner. Well, rest assured, dear night owls, Nimet promised thereafter that she would always balance her Debussy with at least a pinch of Sergeant Craft’s tumultuous favorite.
Shows:
Nimet Habachy appears in the following:
A Radio Special: Mozart’s "Abduction from the Seraglio"
Thursday, August 17, 2023
A Radio Special: Verdi’s "Aida”
Thursday, August 10, 2023
Every Voice with Terrance McKnight: Aida
Monday, July 03, 2023
RAMADAN KARIM – Memories from Cairo by WQXR's Nimet Habachy
Wednesday, May 13, 2020
My Christmas Eve Encounter with Leonard Bernstein
Sunday, December 14, 2014
Verdi's Aida and its Role in the Egyptian Revolution
Thursday, October 10, 2013
"It might distress Giuseppe Verdi, the great Italian patriot and nationalist, that Egypt's history of European occupation is in partly the fault of his wonderful opera, Aida," writes Nimet Habachy.
West-Eastern Divan Orchestra Strengthens Amid Mideast Tensions, Says Mariam Said
Friday, February 01, 2013
The arrival of the West-Eastern Divan at Carnegie Hall is enormously exciting for many reasons. But the one that resonates most with me is that it is a wonderful tribute to a dear family friend, the late Edward Said, humanist literary critic, writer, educator and musician who envisioned this endeavor with his friend, conductor Daniel Barenboim, and saw the beginnings of its success.
Tales of an Overnight Classical Deejay
Monday, October 24, 2011
WQXR's Nimet Habachy reveals how she faked an accent, lied about the weather, entertained cabbies -- and became a fixture on WQXR's overnight shift for the better part of three decades.
Frederica von Stade's Farewell to the Opera Stage
Wednesday, February 23, 2011
It is impossible to believe that Frederica von Stade has truly left the opera stage after a 40-year career. Can it be possible that I first saw my then-new friend, Flicka in 1971 at the Metropolitan Opera? She was playing Violetta’s friend, Flora Bervoix in La Traviata. I saw her again a few days ago at the Houston Grand Opera, where she sang the role of the heartbroken mother of a condemned man in Jake Heggie and Terrence McNally’s searing and achingly painful opera, Dead Man Walking.
On 90th Birthday, Egyptian-American Composer Expresses Concerns for Homeland
Thursday, February 03, 2011
As the world watches the events unfolding in Egypt, among those paying close attention is Halim El-Dabh, the Egyptian-American composer, performer and ethnomusicologist. WQXR's Nimet Habachy spoke with him.