Tomas Hachard appears in the following:
The Sons Of The Father, Trapped In Grief
Thursday, June 12, 2014
Jacob and Wes, the two child protagonists in Kat Candler's uneven Hellion, are models of the drastic transition between childhood and adolescence. Jacob (Josh Wiggins) is only a few years older than Wes (Deke Garner), but the difference in their temperaments — one is impertinent and prone to acts of ...
Seeing The 1980s Twice Over, But Done Better With Dance
Thursday, June 05, 2014
A Run-DMC tape. A boom box. A pair of Nike sneakers and bright red tracksuit pants. These are the objects that we see in the opening shot of Ping Pong Summer, the cultural markers that would clearly peg the film to a particular decade even without a subtitle further specifying ...
'Night Moves' Leaves Too Much In The Dark
Thursday, May 29, 2014
The natural world has never been the most hospitable place for Kelly Reichardt's characters. In Meek's Cutoff, a group of 19th century settlers nearly lose their lives while traveling west across the scorching Oregon desert. In Wendy and Lucy, when Wendy is forced to sleep in the woods after her ...
The 'Angriest' Robin Williams Sadly Becomes The Inspirational One
Thursday, May 22, 2014
The last time Robin Williams had a leading role in a film was in 2009, a year when, apart from the Razzie-nominated Old Dogs, he starred in the World's Greatest Dad. Bobcat Goldthwait's film, about a dad who finds his son dead in the bathroom and turns him into a ...
'Million Dollar Arm' Is A Sales Pitch In Search Of Stillness
Thursday, May 15, 2014
Where does Don Draper's formidable presence come from in Mad Men? From his impeccable style, sure, and from his brooding good looks, of course, but also from his stillness. A few drug-induced exceptions aside, Don is as restrained in movement as he is in his speech. The combination gives him ...
To Be Young, Foolish And Baffled: Coming Of Age In 'Palo Alto'
Thursday, May 08, 2014
"What's going through your mind when you're doing that... or do you not think at all?" Those words, familiar to any teenager and parent, get yelled at Teddy (Jack Kilmer) about halfway through Palo Alto. Teddy, still in high school, is on probation after his second arrest, his final chance ...
From A Single Snowplow To A Tragicomic Partnership
Thursday, May 01, 2014
When Bruce (Thomas Haden Church) barrels over a man with his snowplow in the opening scene of Whitewash, it looks like an accident. Perhaps not a blameless one on Bruce's part if the half-empty bottle of liquor rolling around the floor of the vehicle is any indication, but an accident ...
France's Far-Right's High Hopes On May Day Display
Thursday, May 01, 2014
But You Can Never Leave: 'The Girl And Death' In A Creepy Hotel
Friday, April 25, 2014
At the German hotel where Jos Stelling's The Girl and Death takes place, the guests include everyone from incapacitated men and women patiently awaiting death (the hotel seems to function in part as a makeshift sanatorium) to lively if somewhat unhinged residents given to impromptu performances of Romeo and Juliet ...
Russia's Credit Rating Cut To Just Above 'Junk'
Friday, April 25, 2014
Saying that "the tense geopolitical situation between Russia and Ukraine" could accelerate the already heavy flow of money coming out of Russia, Standard & Poor's on Friday cut that nation's credit rating to just above "junk" level.
What's more, S&P says it doesn't expect things to ...
For Two Brothers, Life Creeps Into The Paradise Of Summer Break
Friday, March 28, 2014
For parents dreading the prospect of their kids spending summer locked in air-conditioned basements with nothing but the glow of computer, TV, and tablet screens to keep them company, the opening scenes of Hide Your Smiling Faces will surely inspire wistful sighs. Living in a small New Jersey town where ...
In LA's Iranian Set, A Two-Sided Love Triangle With A Side Of Clichés
Thursday, March 13, 2014
There's a lot that needs forgiving if you want to enjoy the few simple pleasures offered by Shirin In Love, but the most egregious fault is perhaps too structural to overlook: The love triangle set up for the title character (Nazanin Boniadi) by writer-director Ramin Niami angles too obviously in ...
A Zombie Plague, But It's Covered By Your Health Plan
Thursday, February 13, 2014
Manuel Carballo's The Returned — not to be confused with the French miniseries that aired in the U.S. last year — serves in some ways as an unofficial sequel to World War Z. If the latter repurposed the zombie movie as medical thriller, looking at the walking dead as victims ...
A Nation And Its Youth, Struggling To Be 'In Bloom'
Thursday, January 09, 2014
The title of In Bloom refers both to the movie's 14-year-old protagonists, Eka and Natia, and to the burgeoning Georgian nation where the film, set a year after that country's independence, is set. The double meaning becomes clear early on. What takes longer to recognize is the title's bitter irony.
...John Sayles' 'Go For Sisters,' Taking A Curious Direction
Friday, November 08, 2013
The first few minutes of John Sayles' Go for Sisters give a taste of what the director, one of the U.S.'s preeminent independent filmmakers, does best.
Sayles introduces us to Bernice (LisaGay Hamilton), a parole officer assigned to monitor a onetime friend, Fontayne (Yolonda Ross). Their initial exchange, set in ...
A Marriage, A Mother, A Move From Culture To Culture
Thursday, September 12, 2013
From the start, Mother of George looks at its two protagonists, Adenike (Danai Gurira) and Ayodele (Isaach de Bankole), across distinct gender lines. The film opens at their traditional Yoruba wedding with two contrasted, tightly framed, straight-on shots of the groom and bride's parties.
Later, after the ceremonies, the differences ...
A Teacher Astray, But Who's Leading Whom?
Thursday, September 05, 2013
A Teacher sets a menacing tone from its opening scene, with a cacophony from avant-garde saxophonist Colin Stetson blaring in the background, and rarely lets it dissipate.
That the film manages to maintain its tense mood to the end is particularly commendable, considering the diligence with which director Hannah Fidell ...
With De Palma, Too Much 'Passion' Is Precisely Enough
Thursday, August 29, 2013
A pivotal moment in Passion, Brian De Palma's resplendent erotic thriller, centers on a splash of red.
An obvious color, maybe, but one that matters because the scene leading up to it — a tour de force of suspenseful montage that cuts between one character watching a ballet and another ...
In Bleak 'Paradise: Faith,' Both Can Seem Distant
Thursday, August 22, 2013
Wishing And Hoping, Planning And Dreaming, Even In Extremis
Thursday, August 15, 2013
David Lowery's Ain't Them Bodies Saints begins with what might have been its end.
Ruth (Rooney Mara) and Bob (Casey Affleck) sit in their ramshackle home after a botched robbery. The small-town Texas cops shooting at them have already hit and killed Freddy, the twosome's partner, and Ruth has downed ...