The Imagery and Politics of Beyoncé’s ‘Formation’

Beyoncé did it again: Over Superbowl weekend, she dropped an unannounced song and video called "Formation," which invokes post-Katrina imagery in New Orleans, Black Lives Matter (though not by name) and other racial justice issues.

So here's a (maybe) unpopular question: is Beyoncé worthy of the praise she’s receiving for her new-found social consciousness?

Wesley Morris, culture critic at The New York Times and winner of the 2012 Pulitzer Prize for Criticism, discussed whether symbolism as a surrogate for activism goes far enough.

Now: discussing the politics, imagery, and symbolism of Beyoncé, with @Wesley_Morris. pic.twitter.com/nBjEJ7bAdP

— Brian Lehrer Show (@BrianLehrer) February 10, 2016

One of the last shots in Beyoncé's #FORMATION video: (call in if you'd like to discuss on the air: 212-433-9692) pic.twitter.com/xvitlqwjik

— Brian Lehrer Show (@BrianLehrer) February 10, 2016

@BrianLehrer So @Beyonce has to be Black, female, generous, successful, commercial, palatable, specific, and universal all at the same time?

— Nice White Lady (@Nice_White_Lady) February 10, 2016

Second caller compares #Formation to James Brown "Say it Loud, I'm Black, I'm Proud" @BrianLehrer w @Wesley_Morris

— Rebecca Carroll (@rebel19) February 10, 2016

@BrianLehrer @Beyonce's #Formation is no more & no less political than being black is. Twas an effective, in depth #selfie. Brava.

— Basil Rodericks (@FACEITFOTO) February 10, 2016