Perfect Pitch
The New Yorker: Out Loud | Jun 25, 2014
This week, Sasha Frere-Jones writes about Auto-Tune, a pitch-correction software program used in pop music. Here Frere-Jones talks about how Auto-Tune has become a pop-music phenomenon, and demonstrates how it can transform the human voice with the help of the music producer Tom Beaujour.This week, Sasha Frere-Jones writes about Auto-Tune, a pitch-correction software program used in pop music. Here Frere-Jones talks about how Auto-Tune has become a pop-music phenomenon, and demonstrates how it can transform the human voice with the help of the music producer Tom Beaujour.
